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IN-PERSON & VIDEO AUDITIONS OPEN!
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IN-PERSON & VIDEO AUDITIONS OPEN!
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Many dancers around the world are home from both school and their beloved dance classes. We understand how lonely it must feel to not be able to interact with your friends. We want you to know that as a dancer, you are never alone. Dancers across Canada and around the globe are part of a large but tight-knit dance family. We are here for you!
We have many dedicated educators from around the globe that would like to share their love for dance with you while the world fights Covid-19 together. These classes are absolutely FREE for EVERYONE!
We are always adding, so check back often.
Do you have a favourite video that you want to highlight? Let us know!!
1) Kiddazzle - First Steps Dance Class
2) Kiddazzle - Pre-School Dance 2
Thank you to Move With Grace, ON Canada
1) Basic Ballet Barre w/ Miss Robyn
2) Beginning Barre Follow Along
3) Ballet Strengthening Must Do's
4) Master Controlled Single Turns
Thank you to Move with Grace in Canada and to Claudia Dean in Australia for sharing
1) Basic Tap Class 1 with Miss Ellyna
2) Music in Motion Free Video Tap Class 1
Thank you to Ellyna at Move with Grace and Michael Glenney at Music in Motion
1) Jazz Combo with Miss Ellyna
2) Lyrical Class with Miss Ellyna
Thank you to Move with Grace, Ontario Canada
1) Intro hip hop 1 with Mr Derek
2) Hip Hop Top Rock, House & Tutting with Mr Derek
Thank you to Move with Grace Ontario, Canada
1) Dance Conditioning Class with Miss Ellyna
Thank you to Miss Ellyna at Move With Grace, Ontario, Canada
1) Ballet Barre with Miss Robyn
4) First Pair of Pointe Shoes - What happens at a fitting
Thank you to Move with Grace, Ontario Canada, Ballet Boot Camp, Claudia Dean in Australia and Miss Auti at The Pointe Shop
1) Music in Motion Free Video Tap Class 2
Thank you to Michael Glenney at Music in Motion, Toronto ON Canada
coming soon
coming soon
coming soon
2) Sharmila Dance Center - Technical Warm Up 2019
3) Strengthen Every Muscle in Your Body
Thank you to Sharmila at Sarmila Dance Center in Dubai and to Claudia Dean in Australia
1) How To Master Fouetté Turns
3) How To Master Amazing Split Leaps
4) How To Master A La Seconde Turns
6) The Secret to Higher Extensions Pt. 1
7) Improve you Arabesque & Extensions Pt. 2
9) Break The Floor Virtual Dance Convention
Thank you to Claudia Dean in Australia and Break The Floor Dance Convention
2) Vancouver Tap Society Classes on Zoom!
Meeting ID: 194-707-695
Thank you to Caroline Dall in Australia and the Vancouver Tap Society in Canada
coming soon
Auditions have wrapped up for the 2024 season. If you missed the audition and would like to be a part of the 2024 team going to Skopje, North Macedonia in October for Hip Hop or Street Dance Show, please contact idocanadahiphopwest@gmail.com
Thank you to everyone who came out to the auditions this year. Unlike other competitions, we can only accept a limited number of dancers to the World Championships and, therefore, must choose dancers wisely from across Canada to represent.
ALL THE RESULTS HAVE BEEN EMAILED
If you did not see your email, please check your spam folder.
If you did not make the 2024 team, keep training hard and try again next year! Choreographers make their decisions on many factors and the world championships are not a regular competiition.
If you did make the 2024 team, CONGRATULATIONS! We look forward to seeing you represent Canada!
Slovenia has applied to host the 2025 World Hip Hop, Popping, and Battle Championships (October).
Germany has applied to host the 2025 World Breakdance and Street Dance 'Show' Championships (October).
For more information on the 2025 season, please follow us on Instagram @teamcanadadanceofficial, Facebook @Team Canada Dance, and/or check back on this audition page after November.
Classical & Repertoire
CLASSICAL Characteristics and Movement: CLASSICAL ballet is the most formal of the ballet styles, adhering to traditional ballet technique. Classical refers to any of the traditional styles of ballet with formalized movements and body positioning to allow the dancer to move with grace, precision, and flowing movements, illustrating graceful ethereal qualities, and unique features and technique such as pointe work, turned out legs, and high extensions. The stylistic variations of classical ballet relate to the area of origin, distinguishing between Russian, French, British, and Italian ballet. The Vaganova method, named after Agrippina Vaganova, and the Cecchetti method, named after Enrico Ceccetti, are Russian and Italian respectively, and are derived from the original French method. Classical
Classical Ballet is the most formal of the ballet styles; it adheres to traditional ballet technique.
Dancers must perform original choreography with classical music. ONLY 100% own/original choreography in classical section – NO repertoire pieces, themes, costuming, or music (even with own/original choreography). Dancers may enter either repertoire or classical or BOTH.
REPERTOIRE Characteristics and Movement: The term REPERTOIRE generally describes a catalogue or list of the traditional compositions that a company performs. In ballet, the term refers to an entire ballet story (such as ‘Nutcracker’), or a non-narrative ballet (such as Les Sylphides) and includes variations or shorter pieces within the ballet (such as a solo part or pas de deux). Variations are performed with traditional chorography, although there may be differences in staging/adaptations. Variations showcase the dancer’s technical skill (turns/leaps) and artistry while highlighting a specific character or emotion within a ballet’s narrative.
Dancers may perform any repertoire. ONLY repertoire pieces in repertoire section – ONLY original choreography in classical section. Dancers may enter either repertoire or classical or BOTH.
See examples HERE and HERE and HERE
Show Dance in the broadest sense is based either on any Jazz/Lyrical, Ballet and/or Modern and Contemporary dance technique. Other dance disciplines can also be incorporated but cannot dominate. The dancer's personal interpretation should be clearly evident when using any of these disciplines or styles. Show Dance allows the use of lifts (except for Children), acrobatics, props, lip-sync and other theatrical effects. All Show Dance presentations shall be based on a concept, story, theme or idea. There must be a title of the Show. The concept, story, theme or idea must be fully understandable and will be expressed by means of dance movements that adhere to the piece being presented, along with being creative, imaginative and original. The piece must have Show Value and entertain the audience.
Acrobatic movements are permitted as outlined in General Provisions of Performing Arts. Acrobatic movements will be evaluated under show criteria and must never dominate and must be in harmony with the idea or theme. Stage props are permitted as outlined under General Provisions of Performing Arts. Musicality, variety of dance and patterns, originality, total performance and individual choreography will be evaluated. It is very important to present harmony of idea, music, dance, choreography, costume and props in the presentation, as the entire image will be used in evaluating the performance.
The difference between Show Dance and Jazz is very difficult, but not impossible, to define. Jazz Dance styles range from the early 1920s to the present, and most Jazz Dance pieces are created using pure dance without consideration to theme or story. This is an ever-evolving Performing Art dance, and one could very readily argue the point that all of the Street dances contain some elements of Jazz. How do we draw the line between Jazz and Street Dance? Definitely the music. The music dictates the style. Does that mean that Hip-Hop or Break Dance music cannot be used in a Jazz piece? No, because the style of the dance dictates what discipline it actually is. Therefore, a Jazz Dance piece can be done to Hip-Hop, Break Dance or Electric Boogie music, but never a Hip-Hop, Break Dance or Electric Boogie to Jazz music. Since there is no specific style of music identifiable as Jazz Dance or Show Dance, music cannot be used to determine if the discipline is correct. However: the difference in styles can be used to make this determination. Although Show Dance pieces may be based on a theme or story, there are many variables that exist. A Show Dance piece can be based on emotions, color and design, or even one word, such as ‘devastation’ or ‘jubilation.’ Jazz Dance does not have to convey any of the above criteria, and may be done based on pure dance only. For instance, a piece danced to ‘Bolero’ might be based on movement formation, color and costume. Another piece danced to the same or different music might be built on a theme of floating dancers, be enhanced by costume de- sign and originality, and feature terrific use of the music. Would a piece danced to ‘Bolero’ do well in a Jazz Dance competition? The answer to that would be in the eyes of the beholder, but a strong Jazz Dance piece would certainly give such a piece a run for its money if the former was not based on true Jazz technique.
Lyrical or Modern may be the base technique for either Show Dance or Jazz Dance. It all depends on how much of a ‘show’ the piece really is. A straight lyric piece, performed in a Show Dance division to Whitney Houston, without a theme or story line, would not do very well, because the show value of the 4-D system would receive a low mark. When judging an IDO competition where the 3-D system of separate evaluations is used for technique, composition and image, the show quality of the routine may enter into all three of these separate dimensions. The ability to use technique to enhance the theme or story being told is very important. The choreography and the way the dancer performs it must be of show quality, and the image that the dancer creates is also very important to the show value of a given piece. But Adjudicators should not be influenced by the show value of a Jazz Dance routine. Their marks for technique should be based purely on technique, choreography purely on choreography, and image marks should be based on the total look of the performer
Jazz Dance Styles:
Primitive: This dance form stemmed from early African Folk Dances that were done by slaves brought to America from Africa, West Indies, Cuba, Panama and Haiti.
Early: Originated via the music of the late 1800’s and early 1900’s. Dances included the Two-Step or Cakewalk, and later became the Grizzly Bear, Bunny Hug, Turkey Trot, and Texas Tommy. This evolved into the fast music and dances of the 1920’s, the One-Step, Lindy Hop, Charleston and Black Bottom.
Musical Comedy / Theatre Jazz: These forms of Jazz became very popular via movies / theatre during the 1930s and 1940s. Many dance forms were incorporated in Musical Comedy Jazz. Ballet with “On Your Toes”, and Modern Dance in “Oklahoma” and “Brigadoon”. During the 1950s and 1960s, dance became an integral part of telling the story in Musical Theatre, as illustrated in musicals such as “Flower Drum Song”, “Destry Rides Again”, “West Side Story” and “Seven Brides for Seven Brothers”. In 1978, the musical “Dancing” showed that the songs and books were secondary to the dancing; in fact, they are almost non-existent.
Contemporary: Primarily performed to music of the day, it began in the late 1950s to the music of Contemporary Jazz musicians like Dizzy Gillespie, Art Tatum and Dave Brubeck.
Today’s Jazz Dance: This discipline may be danced using many different styles and tempos, using themes based on Afro-Cuban, Oriental, Spanish or other national themes. It may be performed as a character, such as Cowboy, Sailor, Clown, etc. It may also be abstract in nature. Lyrical Jazz, performed to such music as Bette Midler’s “Wind Beneath My Wings”, may be included in Jazz Dance Discipline
NOTE: Contemporary Ballet should not be confused with Jazz Dance, and may not compete in this discipline. Other contemporary styles such as Hip-Hop, Disco, Break Dance and Electric Boogie may be incorporated, but must never control / dominate Jazz Dance performances.
1) Characteristics and Movement: Jazz Dance is a multi-faceted art form. The above-mentioned types of Jazz Dance are examples of what is permissible in this category. The entire routine must consist of Jazz work. Jazz technique, turns, jumps isolations, stretch, as well as use of port de bras, legs and upper body. Timing and rhythm will be considered in marking.
Modern dance is an artistic form with many styles that has undergone development over a relatively long period of time. Modern dance is a more relaxed, free style of dance in which choreographer’s uses emotions and moods to design their own steps, in contrast to ballet’s structured code of steps. It has a deliberate use of gravity, whereas ballet strives to be light and airy.
The development of modern dance was the logical consequence of the dancing styles that existed at the start of the 20th century, when the modern dancers of that period attempted to break free from established ballet forms, which they considered to be stiff, strict and restrictive and therefore they started searching for new trends and techniques to give dance a new direction.
This particular dance discipline concerns using modern dancing techniques that were created for the most part during the first half of the 20th century by renowned dance teachers and choreographers, /e.g. Martha Graham, José Limon, Alvin Ailey, Merce Cunningham, Lester Horton and a host of others on the American continent, and Kurt Jooss, Mary Wigman, Hanya Holm and many others in Europe.
In view of the fact that all dance remains in a constant state of movement and development, this does not mean that we have to use only the aforementioned techniques in their original forms. On the contrary, it is also about using contemporary trends in modern dance techniques that either goes back to the foundations established by the aforementioned dance instructors or we can use totally new, experimental and original concepts for modern dance. Contemporary dance brings new information about body and how the body works, offers new quality of movement, new shapes of body in area, brings new composition process and space for experiment.
1) Characteristics and Movement: the entire routine must consist of modern dance techniques and current trends, and should correspond with age categories and the movement skills of the dancers. Contemporary Ballet should not be confused with Modern Dance, and may not compete in this discipline. Other contemporary styles such as Hip-Hop, Disco, Break Dance and Electric Boogie may be incorporated, but must never control / dominate Modern dance performances.
The main point of assessment for this discipline will be the level of the dance movements carried out, as well as the theme and story line. The story, the building of a plot, is possible, but not so much emphasized here as, for example, for Show dance. It is primarily about pictures, moods.
In Modern Dance, a story, theme, idea or concept may be used but must always be in good taste for children, junior and adult situations, but human situations, especially those dealing with intimate or personal relationships should acceptable to viewing by all ages.
2) Acrobatics and Lifts: Acrobatic movements are allowed, but should only be used to enhance the routine. Gymnastic lines are not allowed (multiple gymnastic moves, travelling from corner to corner). Modern and Contemporary Dance should not look like an acrobatic dance routine. Lifts are allowed in Junior and Adult age divisions and are prohibited in the Children age division
3) Props and Backgrounds: Stage props are allowed to the extent that the stage setting for the choreography does not overshadow the dance itself. Backgrounds are prohibited.
4) Clothing: aesthetic, tasteful and age division appropriate.
IN-PERSON AUDITIONS ARE STARTING SOON!
RESULTS WILL BE SENT OUT AFTER AUDITION - EXPECT 1-2 WEEKS AS THEY ARE BEING STAGGERED
If auditioning for choreo teams AND freestyle/battle/solo, you need to register and attend BOTH the choreo audition suited for your age AND the all-age battle audition. You need to pay only ONE audition fee.
$35 IN PERSON AUDITION
*cash only*
IN-PERSON AUDITION
Please arrive at least 30-45 mins before the start of the audition to check in and pay your fee in cash. If you registered, then we will have that information, however, you still need to check in. We expect a full audition to last approx. 2 hours each.
Auditions are workshop style, meaning that you will be taught a combination then asked to perform it in a smaller group. You do not need to prepare anything in advance.
The Popping/Battle audition will be done in battle format so you will be asked to free-style to a variety of music. This is a GREAT way to show off and/or improve your skills. See bellow for more info.
Even if you aren't sure, give it a try!
AUDITION CASTING:
*all-style battles include music where multiple street-styles are expected such as Hip Hop, Popping, Locking, House, Afro, etc*
**freestyle CREWS must be capable of learning choreography , as a routine showcasing multiple styles is required for prelim round
Additional choreographers and battle coaches TBA after auditions.
If you need assistance,
please email
ONLY VIDEO AUDITIONS *WITH APPROVAL* AT THIS TIME. PLEASE EMAIL IF YOU ARE INTERESTED.
If auditioning for choreo teams AND freestyle/battle/solo, you need to register for BOTH the choreo audition suited for your age AND the all-age battle audition. You need to pay only ONE audition fee.
$40 VIDEO AUDITION
*e-transfer only*
VIDEO AUDITION
This option is for those dancers who cannot attend the in-person auditions for a valid reason. Video auditions will be considered after in-person - in-person is preferred.
You will be given a link to a combination and must return the video within 48 hrs. LINKS SENT OUT AFTER IN-PERSON AUDITION. - no specific time, can be from 2pm up to some time in the evening.
Please use the audition registration system and select which genre, Hip Hop and/or Popping/Battle Audition + Video option.
YOU WILL RECEIVE AN EMAIL WITH FURTHER INSTRUCTIONS CLOSER TO THE IN-PERSON AUDITION
e-transfer video audition fee to idocanadahiphopwest@gmail.com. Include the dancer name in the question and use the answer: Macedonia
AUDITION CASTING:
*all-style battles include music where multiple street-styles are expected such as Hip Hop, Popping, Locking, House, Afro, etc*
**freestyle CREWS must be capable of learning choreography , as a routine showcasing multiple styles is required for prelim round
Additional choreographers and battle coaches TBA after auditions.
If you need assistance,
please email
IN-PERSON AUDITIONS ARE STARTING SOON!
RESULTS WILL BE SENT OUT AFTER AUDITION - EXPECT 1-2 WEEKS AS THEY ARE BEING STAGGERED
If auditioning for choreo teams AND freestyle/battle/solo, you need to register and attend BOTH the choreo audition suited for your age AND the all-age battle audition. You need to pay only ONE audition fee.
$35 IN PERSON AUDITION
*cash only*
IN-PERSON AUDITION
Please arrive at least 30-45 mins before the start of the audition to check in and pay your fee in cash. If you registered, then we will have that information, however, you still need to check in. We expect a full audition to last approx. 2 hours each.
Auditions are workshop style, meaning that you will be taught a combination then asked to perform it in a smaller group. You do not need to prepare anything in advance.
The Popping/Battle audition will be done in battle format so you will be asked to free-style to a variety of music. This is a GREAT way to show off and/or improve your skills. See bellow for more info.
Even if you aren't sure, give it a try!
AUDITION CASTING:
*all-style battles include music where multiple street-styles are expected such as Hip Hop, Popping, Locking, House, Afro, etc*
**freestyle CREWS must be capable of learning choreography , as a routine showcasing multiple styles is required for prelim round
Additional choreographers and battle coaches TBA after auditions.
If you need assistance,
please email
ONLY VIDEO AUDITIONS *WITH APPROVAL* AT THIS TIME. PLEASE EMAIL IF YOU ARE INTERESTED.
If auditioning for choreo teams AND freestyle/battle/solo, you need to register for BOTH the choreo audition suited for your age AND the all-age battle audition. You need to pay only ONE audition fee.
$40 VIDEO AUDITION
*e-transfer only*
VIDEO AUDITION
This option is for those dancers who cannot attend the in-person auditions for a valid reason. Video auditions will be considered after in-person - in-person is preferred.
You will be given a link to a combination and must return the video within 48 hrs. LINKS SENT OUT AFTER IN-PERSON AUDITION. - no specific time, can be from 2pm up to some time in the evening.
Please use the audition registration system and select which genre, Hip Hop and/or Popping/Battle Audition + Video option.
YOU WILL RECEIVE AN EMAIL WITH FURTHER INSTRUCTIONS CLOSER TO THE IN-PERSON AUDITION
e-transfer video audition fee to idocanadahiphopwest@gmail.com. Include the dancer name in the question and use the answer: Macedonia
AUDITION CASTING:
*all-style battles include music where multiple street-styles are expected such as Hip Hop, Popping, Locking, House, Afro, etc*
**freestyle CREWS must be capable of learning choreography , as a routine showcasing multiple styles is required for prelim round
Additional choreographers and battle coaches TBA after auditions.
If you need assistance,
please email
2025 IDO WORLD
HIP HOP, POPPING, & BATTLE CHAMPIONSHIPS
OCTOBER 25-31, 2025
SLOVENIA
AGES are as of Dec. 31/2025
*Mini Kids 7 & under
CHILDREN 12 & under
JUNIOR 13-16
JUNIOR 1 (13-14) *solos/duos
JUNIOR 2 (15-16) *solos/duos
ADULT 17 & over
CATEGORIES
Hip Hop Solo M/F Children
Hip Hop Solo M/F Junior 1
Hip Hop Solo M/F Junior 2
Hip Hop Solo M/F Adult
Hip Hop Duo Children
Hip Hop Duo Junior
Hip Hop Duo Adult
Hip Hop Group Children
Hip Hop Group, Junior
Hip Hop Group Adult
Hip Hop Formation Children
Hip Hop Formation Junior
Hip Hop Formation Adult
Popping Solo Children
Popping Solo Junior 1
Popping Solo Junior 2
Popping Solo Adult
Popping Duo Children
Popping Duo Junior 1
Popping Duo Junior 2
Popping Duo Adult
Hip Hop Battle Solo Children
Hip Hop Battle Solo Junior 1
Hip Hop Battle Solo Junior 2
Hip Hop Battle Solo Adult
Hip Hop Battle Crew Children
Hip Hop Battle Crew Junior
Hip Hop Battle Crew Adult
Team Fees will be offered based on # people per family and flights.
8 NIGHTS (Oct 23-Nov 1 - Hip Hop Only)
**SEE BOTTOM OF THIS PAGE FOR MORE DETAILED TRAVEL PACKAGE
Fee will include:
Fees will not include:
FUNDRAISING AND SPONSORSHIP ENCOURAGED - ask us how
At this time, there is no team out of these provinces. Please see Ontario. If interested, please contact us by email.
If there are any HIP HOP/BREAK/ELECTRIC BOOGIE CREWS or STREETDANCE SHOW groups wanting to compete at either the World Championships in Europe or the Commonwealth Cup, please email canadaworlddance@gmail.com and send us a video for your consideration.
Any dance studio or troupe wishing to compete at the 2021 IDO World Dance Challenge and Conference in Monterrey, Mexico (July) or at the 2022 Commonwealth Cup Dance Championships (CCDC) in Melbourne, Australia, are asked to email bonnie@cdo-online.org for more details.
As per IDO, the rules for defending titles are as follows:
Defending Champion
Audition Video Requirements
Time limit: Between 1:00-2:30 mins
Please send us a video of your competition solo. If you don't have a solo, please send us a video or a choreographed routine of your choice. Choose music that suits you best, we aren't looking for a specific style. The objective is for us to see how you perform something choreographed. No formal costume required.
You will still need to E-transfer your audition fee.
How To Submit:
1) Upload a video using our registration portal.
2) Email us a link to your YouTube or Vimeo. If there are any passwords associated, please include them as well. Email you link to canadaworlddance@gmail.com and include the following:
Name:
DOB:
Age (as of Dec.31/19):
Contact Address:
Contact Email:
Contact Phone
Check Out our Vimeo page:
https://vimeo.com/channels/idodancecanada
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