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For 3 decades, Team Canada Dance has offered elite dancers of Canada an opportunity to represent their country on the world stage. Our organization gives dancers the opportunity to travel, meet other dancers worldwide and to compete as a unified team with other dancers from across Canada. Team Canada Dance also gives Canadian dancers the opportunity to learn from master teachers and choreographers both within Canada and worldwide. We encourage our Team Canada dancers and their supporters to foster good sportsmanship, and to promote Canadian values while exhibiting our remarkable dance training. We only work with the 'best of the best' choreographers who choose the best dancers to represent Canada.
TEAM CANADA DANCE NATIONAL DIRECTOR
IDO CANADA PRESIDENT
IDO VICE PRESIDENT - NEW VENTURES
IDO AMBASSADOR TO THE AMERICAS
As the Team Canada National Director as well as the IDO Ambassador of the Americas, Bonnie Dyer attributes Canada’s top world results to the outstanding teachers and choreographers throughout our great nation. The high standards exemplified by the studio directors, teachers, and choreographers who have trained these dancers, has enabled Canada to be known as one of the best training countries IN THE WORLD for dance. Also, the dedication of our Team Canada choreographers, dancers, supportive parents and their studios has made Team Canada the success that it is today. Thank you all!
” A true champion is someone who is gracious if they win, and even more gracious if they do not. In years to come, medals & trophies will be misplaced, but the memories of your journey and training to dance on the world stage, meeting new friends, striving to do your best and being proud to represent your country- these are the memories you will carry with you forever”.
Bonnie Dyer National Director
CANADIAN NATIONAL DANCE CHAMPIONSHIPS
& CONVENTION DIRECTOR
For over a decade, Alison has been working hard to ensure that dancers and educators are given the best possible dance competition experience, both within Canada and abroad. Additionally, she owned a competitive dance studio where several dancers earned medals at the IDO World Championships in Jazz, Ballet, Tap, and Hip Hop, Commonwealth Cup Dance Championships, as well as at local Canadian competitions. As a mother of several competitive dancers herself, she understands the spectrum of needs in dance competitions from the perspective of the parents, studio owners, and competition insiders. Alison knows the law of the land and the world of competitive dance.
Matthew Clark Kim Barker
Annemarie Reynolds Theresa Domingues
Breanna Willis Kathrine McCarthy
Sherry Walsh Jade Delaronde
Emma Searles
Shelley Tookey (AB)
Sheri Mackenzie (BC)
Team choreographers & coordinators (see Choreographers tab)
-NO MEMBERSHIP FEES -
We welcome all Canadian studios, choreographers, and dancers to take part in our many activities and events. Canadian studios are encouraged to display the IDO CANADA logo on your website as a proud supporter of competition and the sport of dance. Dancers who have auditioned and have taken part in an IDO event can proudly display the IDO Dancer logo.
Contact us for more details.
Team Canada Dance TM is a national dance organization that takes elite Canadian dancers to compete against the best of the best on the world stage. We have been Canada's National Dance Team since 1995!
We are the only accredited Canadian dance organization that qualifies to attend the International Dance Organization (IDO) World Dance Championships. Our Canadian IDO division is also called IDO Canada.
We not only assemble the best Canadian dancers, but we allow those dancers to train and receive choreography from the best our industry has to offer.
Not everyone will make our team as our standards are higher then most. We do push our dancers to be the best they can be while still maintaining a fun and nurturing environment.
Our choreographers are well respected and very much active in their fields. As such, their schedules are very busy but we try our best to accommodate everyone while still respecting prior studio and personal commitments. A professional dancers/choreographers schedule may fluctuate slightly but we try to maintain a steady schedule that does not interfere with outside activities.
Not everyone will come home with a medal but the friendships last a lifetime!
The WORLD CHAMPIONSHIPS we regularly attend are considered the "Olympics of Dance". Each nation can only bring 3 of their top athletes for a week of intensive competition in one genre. The competition is fierce, unlike any other!
The World Championships is affiliated with the International Dance Organization .
The International Dance Organization (IDO), is a World Dance- and Dancesport Federation with a membership of OVER 90 NATIONS, representing more than 250,000 DANCERS, from SIX CONTINENTS.
The IDO is an world accredited organization that you may learn more about at
WORLD DANCE CUP competitions are run more like our North-American competitions, where you dance once and are awarded placement. You generally may enter any genre you wish and countries may bring as many dancers as they wish. You may have heard of other dancers attending Cups.
We too attend World Cups if they meet a certain standard. The Commonwealth Cup Dance Championship, the IDO World Dance Challenge, The World Dance Olympus, etc., as well a some online Cups during the pandemic.
The Dance Cups we attend , similar to other IDO competitions, award dancers on the podiums, but overall dancers will compete in the final DANCE-OFF at the GALA on the final day of competition. There are awards for everyone, including ribbons, medals and/or trophies, and cash awards for top dances. Dancers may enter in any genre they wish and may dance as often as they want. Entry fees are separate.
We also host and attend Dance Workshops. The workshops are available from renown dance educators from around the world.
Team Canada Dance has been attending the official World Dance Championships since the 1990's when we first attended the World Tap Championships in Dresden, Germany. Our first team consisted of 12 outstanding dancers from across Canada including: British Columbia, Saskatchewan, Manitoba, Ontario and Québec. The Canadian National Tap Team
Team Canada Dance has been attending the official World Dance Championships since the 1990's when we first attended the World Tap Championships in Dresden, Germany. Our first team consisted of 12 outstanding dancers from across Canada including: British Columbia, Saskatchewan, Manitoba, Ontario and Québec. The Canadian National Tap Team (choreographer Matthew Clark) placed in the TOP 5 in the world! That experience was inspiring for our dancers and our team and since then, we have returned to win over countless WORLD TITLES in Tap, Ballet, Jazz, Modern/Contemporary, Showdance, Hip Hop and now in Streetdance Show!
Our Canadian team is respected for both our talent and sportsmanship and is admired worldwide as one of the "teams to beat!". We're not just any dance group, we are a team through and through.
- 7 consecutive years winning the World Tap Championships
- Outstanding Team of The Year for Sportsmanship and Results
PRESIDENTS CUP
- overall Medal Winner at the Ballet, Jazz and Modern Championships
CHOREOGRAPHER OF THE YEAR
- Matthew Clark for Outstanding Choreography in tap dance
-Christie McKay-Hofland for Outstanding Chor
- 7 consecutive years winning the World Tap Championships
- Outstanding Team of The Year for Sportsmanship and Results
PRESIDENTS CUP
- overall Medal Winner at the Ballet, Jazz and Modern Championships
CHOREOGRAPHER OF THE YEAR
- Matthew Clark for Outstanding Choreography in tap dance
-Christie McKay-Hofland for Outstanding Choreography
LIFETIME ACHIEVEMENT AWARD
- Bonnie Dyer
(the appointed IDO representative for Canada and Team Director) for Fostering Good Sportsmanship Worldwide
AND MANY MORE!!
The World Championships is like the Olympics of Dance!
The International Dance Organization (IDO) is a World Dance and Dancesport Federation with a membership of OVER 90 NATIONS, representing more than 250,000 DANCERS from 6 CONTINENTS!
This prestigious World Championship offers an exciting platform for dancers from across the globe to
The World Championships is like the Olympics of Dance!
The International Dance Organization (IDO) is a World Dance and Dancesport Federation with a membership of OVER 90 NATIONS, representing more than 250,000 DANCERS from 6 CONTINENTS!
This prestigious World Championship offers an exciting platform for dancers from across the globe to compete against the best in their genre. Similar to the Olympics, the winners are awarded on top of a podium with the top 3 flags raised as the winners nation anthem is played. It is truly a proud moment for all of the dancers and a wonderful way to recognize such dedicated talent.
If you are interested in donating your studio space, please contact bonnie@cdo-online.org
We are in need of Saturday or Sunday audition and rehearsal space . Thank you!
Team Canada Dance (TCD), the National Member Organization (NMO) for the International Dance Organization (IDO), has adopted the following safeguarding and child protection policy with the aim of ensuring that all those involved in dance with children have a moral and legal obligation to share, endeavour and practice the highest possible standard of behaviour, care and responsibility for the safety and welfare of children, young people and pupils (every human being below the age of 18 years is considered as child).
TCD and IDO both believe that all children involved in dance have a fundamental right to be protected so that they can enjoy dance free from all forms of abuse and exploitation, and have a right to have their voices heard, regardless of time and place. In that spirit, TCD & IDO are fully committed to safeguarding and supporting the safety and welfare of children in dance. The children welfare is paramount. TCD & IDO expect all involved in dance to share this commitment.
IDO SAFEGUARD AND CHILD PROTECTION CONTACT EMAIL:
Within Canada: contact@teamcanadadance.ca
International Competitions: emergency@ido-dance.com
All children, regardless of any personal characteristic including their age, gender, language, skin colour, ability, any disability they may have, nationality, culture, racial origin, religious belief, political or other opinion, socio/economic background, pace or type of residence, sexual identity and preference have the same rights to feel safe and protected from any form of abuse, harassment and neglect, and have the right to take part in dance in a safe, healthy, fair, inclusive, non-violent, positive, respectful and enjoyable environment, in all capacities and at all levels.
The health, welfare and safeguarding of children is everyone’s responsibility, regardless of the country we are from or the role we hold in dance. This means that everyone in dance has a duty to respond to any concerns that they or others, may have about a child, or the behaviour of an adult. This relates to concerns, which arise both within, and, outside of the dance environment. Children safeguarding includes both preventive actions to minimize the chances of harm occurring and responsive actions aimed at ensuring that, if concerns arise, they are handled appropriately.
To read the entire IDO Policy, used by Team Canada Dance, please download attachment.
SAFEGUARDING-AND-CHILD-PROTECTION-POLICY (pdf)
Downloadwith appropriation often involving the problematic taking of cultural elements without proper context or respect, while exchange is a mutual and respectful sharing of cultural practices. Cultural appropriation can be characterized by exploitation and a lack of acknowledgement of the original creators' background, whereas cultural exchange involves understanding and appreciating the history and significance of cultural elements. Here's a more detailed breakdown:
• Mutual and respectful:
It involves sharing and learning from one another's cultures in a way that
acknowledges and respects the origin and meaning of cultural practices.
• Focus on understanding:
It encourages broadening perspectives, connecting with others, and appreciating
different cultural traditions.
• Reciprocity:
It involves a willingness to share one's own culture and learn about others, creating
a two-way street of understanding and appreciation.
• Examples:
Research, or participating in cultural celebrations with mutual respect and
understanding. Cultural Festivals are great for a better understanding.
• Lack of respect:
It involves taking elements of another culture without proper context, permission, or
recognition of the original creators' background.
• Potential for harm:
It can lead to the trivialization or exploitation of cultural practices and can
perpetuate harmful stereotypes.
• Power dynamics:
It often involves a dominant culture taking elements from a marginalized culture,
which can reinforce existing power imbalances.
• Examples:
Wearing a Native American headdress as part of your costume without
understanding and respecting its sacred significance.
• Consent/Permission:
Cultural exchange typically involves consent or permission to share cultural
elements, this is where your research is valuable, while appropriation often lacks
this.
• Context/Meaning:
Exchange acknowledges and respects the history and significance of cultural
elements, while appropriation may ignore or distort their meaning.
• Power Dynamics:
Exchange can be a process of mutual learning and respect, while appropriation can
perpetuate power imbalances.
Be Mindful
One of the best things you can do to avoid appropriating from other cultures is pay
attention and be mindful. Critically think about your choices. Ask yourself: Do they play
into racial or cultural stereotypes? Are you profiting off of someone else’s culture? Is
someone else profiting off of a culture that is not their own? If you are wearing a fashion or
piece of clothing from another culture, reflect and think how it got to be in your wardrobe.
Be mindful of items that may be culturally sensitive or spiritual.
Be an Ally
Speak up when you see someone being insensitive and appropriating another culture. Use your power to engage in conversations about appropriation. Be kind and thoughtful when you speak, chances are that choreographer is not educated and not aware of what was considered cultural appropriation. Be an educator, not an agitator.
Examine your intentions
As a choreographer, reflect and examine if you are being genuine and sincere in your
appreciation. Do you just want to engage with it because it’s different or goes well with a
piece of music you found? Or are you doing the work to learn about the culture and
practices?
All too often, people think of Native or indigenous people as only existing in the past. They mentally delegate them to history books. This could not be more wrong! Native people are still around. Remember that you can appreciate these cultures in real time. Attend events hosted by tribes, visit their museums, buy arts and crafts from Native artisans, and meet people! Instead of learning about them from careless, stereotypical representations, show up and learn from them yourself.
While cultural appropriation is a heavy topic, it is an important one to discuss. Talking
about issues like this is imperative for working towards a more respectful, honoring, and
inclusive world. Like when purchasing Native arts and crafts, the most important thing you
can do is be a critical thinker about your own actions. Take responsibility for what you do.
Best of all, do the work to learn and engage with other cultures in a respectful and
appreciative manner.
But ultimately it is still important to allow heritage to be flexible, and to incorporate change and give people the freedom to create. Mash-ups like Hiplett – a combination of hip-hop and ballet – have shown just how vital dance exploration can be to encourage new dancers to take up the moves and keep them alive.
*****In essence, cultural exchange is about building bridges and fostering
understanding, while cultural appropriation can be a harmful act that disregards
cultural contexts and perpetuates inequality.
We understand concerns about viruses such as the flu, COVID, RSV, etc., are top of mind, and we want to be as transparent as possible and share information about what we are doing to prepare for the IDO World Championships and other Team Canada Dance / IDO Canada events.
It is an ever-evolving situation, not just domestically, but internationally. Many of the IDO Championships are back to usual without many health restrictions.
Meanwhile, we want to assure you of the following:
We know that our time together is precious and that you may not want to miss a rehearsal due to illness, but there are others on the team that could get ill. Last year, we had two teams affected by illness right at the time of departure, plus another team come home from the Championships sick.
Ultimately, we encourage everyone to make responsible decisions and stay home if they are sick. We generally have several parents that are nurses and physicians who travel with our teams who will be helpful to navigate us through this. Please note that infection prevention and control is for everyday, not just during outbreaks!
We will monitor the situation and report any updates.
For Indigenous peoples, acknowledging traditional territory is a long-standing practice and regular aspect of governance relationships and ceremony. Acknowledgements have become common across Canada at formal meetings, conferences and events as a sign of respect and a first step in reconciliation. For more information, visit Native Land
Team Canada Dance acknowledges our creative spaces across Canada, located on the sacred and traditional territories of Indigenous peoples . This land is subject to many treaties in many territories.
We recognize the enduring presence of Indigenous peoples, and that the land continues to be home to many Indigenous nations. The land upon which we perform has been home to the storytelling and celebratory dances of Indigenous people through the ages. We honour their stewardship, past, present, and future, and are blessed to continue our passion for performing on this land - to gather together as one and tell stories through various dance forms. Our individual acknowledgments are taken from each city that we have creative space.
The City of Brampton is located on the traditional territories of the Mississaugas of the Credit, Haudenosaunee, and Wendat Nations who have called this land home since time immemorial. We acknowledge the agreements made in Treaty 19 — the Ajetance Purchase of 1818 — and are committed to our ongoing role in reconciliation through meaningful action rooted in truth, justice, and respect. We are grateful to the original caretakers of this land who have ensured we are able to work, play, and live in Brampton now and in the future.
[Home of our main office] This place we call Guelph has served as traditional lands and a place of refuge for many peoples over time, but more specifically the Attiwonderonk, and the Haudenosaunee. This land is held as the treaty lands and territory with the Mississaugas of the Credit First Nation. Guelph lies directly adjacent to the Haldimand Tract and is part of a long-established traditional hunting ground for the Six Nations of the Grand River. Many First Nations, Inuit, and Métis peoples who have come from across Turtle Island call Guelph home today.
We acknowledge the lands which constitute the present-day City of Mississauga as being part of the Treaty and Traditional Territory of the Mississaugas of the Credit First Nation, The Haudenosaunee Confederacy, and The Huron-Wendat and Wyandot Nations. We recognize these peoples and their ancestors as peoples who inhabited these lands since time immemorial. The City of Mississauga is home to many global Indigenous peoples.
Located at the top of the escarpment, at the head of Lake Ontario, people have been born on, lived and died on this land for at least 15,000 years. Today, Waterdown and Flamborough are still home to many indigenous people from across Turtle Island. This land is the territory of the Chonnonton, Huron-Wendat, Haudenosaunee Confederacy, and most recently the Mississaugas of the Credit First Nation, and is subject to many treaties including the Dish With One Spoon Wampum, Treaty of Niagara (1764), Silver Convenant Chain of Friendship, and Treaty No. 3 (1792). We are grateful to have the opportunity to live and work in this community, on this territory.
Burnaby is located on the ancestral, and unceded territory of the hən̓ ̓qəmin̓ əm̓ and Sḵwx̱ wú7mesh speaking peoples. Before Burnaby existed, its lands were home to the ancestors of several local Central Coast Salish Nations. Today, their descendants continue to live in Burnaby and the adjacent municipalities that developed within their traditional territories. Since time immemorial, each of
these Nations has celebrated its own unique culture and history, while maintaining relations with the others by family, social life, traditions, protocols, and language. hən̓ ̓qəmin̓ əm̓ and Sḵwx̱ wú7mesh speaking peoples remain deeply connected to Burnaby lands and waters today. There are several Indigenous Nations who share territory in Burnaby. All speak hən ̓ ̓qəmin ̓ əm ̓ or Sḵwx ̱ wú7mesh sníchim. Recognizing language groups instead of individual Nations is a way of being both specific and inclusive.
As one part of our reconciliation work, Coquitlam has adopted the following territorial acknowledgement: We acknowledge with gratitude and respect that the name Coquitlam was derived from the hən̓q̓əmin̓əm̓ (HUN-kuh-MEE-num) word kʷikʷəƛ̓əm (kwee-KWET-lum) meaning “Red Fish Up the River”. The City is honoured to be located on the kʷikʷəƛ̓əm traditional and ancestral lands, including those parts that were historically shared with the q̓ic̓əy̓ (kat-zee), and other Coast Salish Peoples. Coquitlam’s territorial acknowledgement honours and recognizes the original inhabitants of the land on which the City sits today. It is reflected in a variety of locations including City email signatures, corporate print and online documents, the City website and introductions for formal meetings and events.
IDO Slovak Republic was awarded the highest accolade during the Annual General Meeting of the Slovak Olympic Committee in June 2020. This award was presented to Petr Horacek and Jozef Hanrangozo by Slovak Olympic medalist Danka Bartekova (member of the International Olympic Committee) and Anton Siekel (President of the Slovak Olympic and Sports Committee).
CONGRATULATIONS IDO SLOVAK REPUBLIC!
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